"Everything?" Fleda quavered. "I never thought she was weak," Fleda answered. She looked vaguely round the room with a new purpose: she had lost sight of her umbrella.!

Mrs. Gereth gave her a long last look, then turned abruptly away. "It's an awful bore you didn't really get it out of him! Well, come to tea," she added rather dryly, passing straight into the house. The girl hung fire a few seconds. "Derived from him."

"What has made the difference?" Owen weighed her question as if he felt the responsibility of his answer. But that answer came in a moment, and, as Fleda could see, out of a wealth of memory. "She never wanted them particularly till they seemed to be in danger. Now she has an idea about them; and when she gets hold of an idea—Oh dear me!" He broke off, pausing and looking away as with a sense of the futility of expression: it was the first time Fleda had ever heard him explain a matter so pointedly or embark at all on a generalization. It was striking, it was touching to her, as he faltered, that he appeared but half capable of floating his generalization to the end. The girl, however, was so far competent to fill up his blank as that she had divined, on the occasion of Mona's visit to Poynton, what would happen in the event of the accident at which he glanced. She had there with her own eyes seen Owen's betrothed get hold of an idea. "I say, you know, do give me some tea!" he went on irrelevantly and familiarly. Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.